Added: 4 years ago
From: franzhun
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  • Straordinaria interprete di questa grande aria...A livello di Tebaldi, Callas...saluti

  • How can I have just discovered this stunning voice.... 

  • That was atrocious

  • Ez borzasztó.... It's terrible....

  • Ez borzasztó....  It's terribile....

  • I don't have words to express how much I love this woman!

  • Awful

  • How I love this, and what a tremendeous voice ! too much for words. Thx for posting !

  • dal vivo  La Dimitrova .

  • credo che se giordano-italiano potesse scegliere tra tutte le emozionanti interpretazioni di questa aria, punterebbe il dito su questa "italiana mancata" si sente la furia, il dolore la speranza senza essere may melena. io la vedo quasi incazzata....come sicuramente fosse la ricca protagonista divenuta povera..ossia: è la mia preferita...de gustibus...etc etc

  • Confermo che è bravissima ma il finale in acuto è proprio antimusicale e senza senso.

  • Emozionante!!! Grande temperamento, passione, splendida voce piena e pronuncia perfetta. Brava! Bravissima

  • We have a beautiful rendition here of this beautiful aria. It's incredible and moving the passion that Marton puts in these dramatic roles. She sings with power, heart, LOVE. How can people miss this point is a big tragedy, for them. Callas was also a great, great singer and actress. How on the earth do some people dare to put these formidable singers AGAINST each other?!? Can't we love them BOTH and be thankful for the emotions they give us? Is it that difficult to just ENJOY music? Be happy!

  • "stingabe" This Perform is in live,I think that is the reason that Eva Merton it finished thus. Obviusly Callas is onother thing, but Eva is very best, too.

  • Horrible final!!!!! What was she thinking!!!!

  • A lot of singers have resolved upwards at the ending of this aria in a concert setting; among them: Arroyo, Millo and I'm sure many others.

  • You're right, but I don't like it anyway. I think it's more dramatic one octave below, I agree with musetta67 it doesn't make any sense.

  • Yeah, it's weird. I personally just prefer a Tebaldi wail at the end..but that's just me.

  • The greatest Diva!!!!!!!

  • Correct. She has a wobble. Times goes by and the voice getting worse and worse.

  • OMG her wobble

  • What a horrible dress! Peferct with her horrible wobble and her always constipated expression.

  • Eva is a very beautiful woman and her voice is great.Callas was an horrible woman and her voice was a disaster.Callas looks dreadful in her Tosca second act, 1956, one of the most horrible women ever seen on stage was M.MeneghiniCallas

  • Are you Crazy making this comment? Have you heard Callas? Do you understand the greatness of her? Do you know that she was the greatest singer of the 20 Century? This is not said by me, by the way. I understand you not liking Callas, but for you to make this comment it is tasteless. Please read and listen to recordings?

  • spot-on niku75, spot-on!

  • Piruja...le haces honor a tu nombre, idiota: what a stupid comment! Callas was a goddess of insuperable voice and dreamatic talent, and precisely in this Aria she was perfect.

  • i totally agree with what you say tonicop callas was perfect in this aria so bravo callas but in the other hand Marton was great in many other operas like Turandot

  • Beautiful woman :S?

  • That guy must be blind.

  • xD he s crazy

  • In the end she is smothering herself... But still great. I also loved her in "Elektra", very good in that register too.

  • BRAVA!

  • Greatest hungarian soprano ever

  • ogni cantante ha la sua peculiarità..callas, marton, millo, price....sono tutte grandissime!

    che fine ha fatto il libero pensiero e il famoso "de gustibus"? ognuno ha dirito ad esprimere il proprio parere su una interpretazione, l'importante è non essere volgari oppure meramente offensivi!

    grande marton....e grandissime le altre! oggi abbiamo validissime voci..ma ad avercele ancora certe perle rare...

  • her voice is unique

  • she looks so old here

  • i like to much this version but i recomend to listen this song performed by maria callas (la davina) everyone has an style

  • no lo sapevo,scuzatemi

  • mi piace piu il finale basso

  • La voce di Callas puo essere superiore ma questa donna ha fato il rollo sulla scena,Callas no.

  • La Scala 1955, Del Monaco, Callas, Protti/Votto

    Non sei informato bene!

  • Eva Marton's La mamma morta is more dramatic than Callas's to me. Fantastic!

  • Just by feeling the urge to mention Callas commenting another singer's performance you have already done it...

    I like this performance though.

  • Great performance for me. A bit slow yes but full of passion. Yet, I swear by Callas' version.

  • it drags ... loses dramatic intensity for me. nice voice though.

  • Huh? Loses what? How different we listeners can be!!! To me it's a fantastic, moving "crescendo" bringing me to the tears! Such a voice, such a passion, such an intensity! Brava Eva!

  • it drags and is too slow in my opinion-this causes the dramatic intensity to wane; in other words she has a lovely rich sound but its a snoozer of a performance for me. if this interpretation is the way eva feels comfortable and true to herself in the music then yay for her, but as i have studied this aria i think it should be faster in a few places and i would prefer it - as i surely have no complaints about the voice itself.

  • I see your point. The voice is beautiful, but she could have played a bit more with tempo and moved certain phrases along. I have token notice that larger voices (Nilsson, Marton, Norman) tend to need more time to breathe and phrase. Jessye Norman's tempos at times (eg., her recording of Carmen) can be slow the point of exasperation. Other than that, brava Marton

  • W;ith which ears do you listen with? Callas on stage is one thing.... an actresss. But La Marton sings with her guts! It comes from the entire body!!! Fills you up with this powerful aria, that can destroy many sopranos...

  • La voce della Callas è superiore, Eva Marton

    ha un gran pregio che canta col cuore ed il suo canto umano commuove,la Callas è meglio per

    tutto il resto.

    Onore a Giordano per questa meravigliosa

    aria.

  • la voce della Callas è superiore ???? poverino, are you crazy ? Callas voice wasn't ever great in any sense!

  • I agree Ruxton. I actually think that Eva's voice is more powerfull than Callas and there is more emotion.

  • Please....The "B" of Callas is unique, and Marton never get closer of Maria Callas' amplitude....And Callas besides a huge vocal potency, was a excelent actress on stage. Eva Marton is a very good dramatic opera singer and that's all......

  • I think that Eva MArton has a powerfull voice, and full of emotion, but please leassen this sung by Callas. The end it's breathtaking... For me it's supreme. (I also agree with Ruxton... les gouts et les couleurs)

  • It's so boring when people say about every singer on here "oh I liked Callas better"- or "she's not as good as Callas. Why don't they get a life. EAch singer brings their own stamp to every role- we don't have to hear about their pathetic comparisons ad nauseum.

  • I so agree with you Ruxton. And to the Callas supporters: please start accepting that the world goes on and there are many people that, horror horror, may even prefer Marton's renditions to the Callas ones. And, horror horror horror, I confess to be among those. Brava Eva!

  • se equivoca en "tu non sei sola" pero da igual , porque es una gran soprano dramática.

  • agree with isinglouderthanu.

    and no offence, but I think Callas sings better than her. The tempo of course and something not written, typical Callas. Besides, Callas's B is too emotional for every sopranos to reach... look at Eben for example.

  • anyone see the tears anytime she sings this aria? thats the mark of a true diva. Brava Bellissima Diva!

  • Muy buena, pero sigue sin acercarse siquiera al nivel de Maria Callas...

  • quite incredible ty utube

  • que maravilla... esta canción es preciosa!

  • i feel as if her phrasing is to long. Callas allowed the aria to move. This is a beatiful piece and Evas voice suits the aria and the opera itself. I just feel its a bit slow.

  • I love this. She sings this with so much emotion. It's not everyday that you can get so much from a video recording, I mean it's not as if sitting there, in one of the rows.

    Eva Marton's imagination is so huge when it comes to even a most commonly known piece. You wonder others why cannot realize there is this way Eva shows us to sing a song... It sounds the natural flow...

    She gives as much as Callas, if I may allow myself this comparison...

  • FANTASTIC!!!! Plus MEMORABLE dress and hairdo!!!!!!!!!!!

    Brava Eva!!!!!

  • hihhhetetlen!!nagyon köszi!nem csak ezért, a többi videoért is!

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