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  • I absolutly love this opera, and this is my very favorite performance of it!  Thank you so much for uploading these!

  • This truly is the apotheosis of music since the beginning of time. It is so utterly perfect, the mind reels.

  • The pause before 'perdorno' should be that long - it gives Almaviva time to realize his folly. And all of us time to see the bigger picture. Respect those you live while there's time.

  • This Finale made me cry! When the Count kneels and asks forgiven is the most beautiful moment of this opera... Mozart is Mozart! For me, he's the best :)

  • Mister Allen, you have an excellent OH SHI-- face.

  • @lindsaydenman Yes, indeed that bit is sublime! I most happily agree!

  • I'm sorry; I doubt the Count's lying, cheating days are over. He is still going to be the Count; a powerful land-owning lord who can sleep with whomever he wants. These were sexist times. The "Contessa Perdono" apology sounds a little too much on the hammy acting side so I never believe he will change. LOL

  • The anagnorisis of the Count is one of the best opera moments ever!

  • 2:55 on is my favorite piece of music on earth

  • I think it is the best staging of "The marriage..." i´ve seen. A great cast and really great direction. The funniest version I know

  • @antmusique

    Excellent! Saw it at the Met that season.

    Can you tell me where you got it? If it is a DVD I could not find it even at the Met shop...

  • It has never been released commercially!

  • @antmusique

    thanks for your reply. yes, I have since found out that the only way to get it is to pay a fee on the Met website for a one-time feed... unfortunately, because it is such a lovely recording. esp. if compared with several others widely available commercially...

  • Beautiful, the best end i've ever seen... i particularly like the few seconds of silence before the "perdono"

  • Wonderfull! Wonderfull!

  • The strings are tuned up insanely high in this production. I'm surprised no one has commented on it.

  • I cherish this moment above any other in opera.

  • My forever Paradise.

  • I think Thomas Allen is perfect as The Count and only a great singer like Raimondi could have interpreted so personally Figaro. This production is awesome, but when I think at Mozart...

    Mozart... is the music that talk to you!

    Grazie Wolfy.

    Christian

  • Mi parte preferida de Le nozze di Figaro, bravo! y con Thomas Allen genial!

  • Qué maravilla!

  • What greatness!! I saw this production on a tiny television when I was in college...one of my first exposures to opera. I have been looking for just this production for 24 years. What sheer brilliance, the cast, the orchestra, the production...even the best tempi. When Susanna sings "La mia voce?" Yes, your voice indeed. Sublime.

  • The "Perdono" section is one of the most sublime moments in all of opera.

  • I agree fully. It is so beautiful. Amadeus made me love that part.

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