@shobarsch unfortunately it's very common for performers like these to completely ignore musica ficta :) however I think the natural 7ths etc. work well in this piece.
@shobarsch unfortunately it's very common for performers like these to completely ignore musica ficta :) however I think the natural 7ths etc. work well in this piece.
@shobarsch It may also have something to do with the mode, which is either the third of fourth (Phrygian or Hypophrygian). I'd have to do some research, but perhaps they tended to avoid the piccardy third in the phygian because of it would have implied an augmented 2nd between the second and third degrees of the mode (F to G-sharp). I might be completely off, but that's what came to mind first.
Why don't they use a major third for the endings? Does anyone know?
shobarsch 4 months ago in playlist Altri video di flammesombres
@shobarsch unfortunately it's very common for performers like these to completely ignore musica ficta :) however I think the natural 7ths etc. work well in this piece.
flammesombres 4 months ago
@shobarsch unfortunately it's very common for performers like these to completely ignore musica ficta :) however I think the natural 7ths etc. work well in this piece.
flammesombres 4 months ago
@shobarsch It may also have something to do with the mode, which is either the third of fourth (Phrygian or Hypophrygian). I'd have to do some research, but perhaps they tended to avoid the piccardy third in the phygian because of it would have implied an augmented 2nd between the second and third degrees of the mode (F to G-sharp). I might be completely off, but that's what came to mind first.
HerrMichaelKohlhaas 1 month ago