Added: 2 years ago
From: robertoswinds
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  • sounds like a psycho

  • It's a selmer super balanced action and a link mp with a selmer lig, not that any of that really matters .

  • Dang Killer sound!!

  • What sax is he playing, model, make - doesnt look like Selmer. King? Great stuff ! MPC might be Otto Link but anyone know ?

  • @frasermanx Definitely a Selmer BA or SBA

  • @frasermanx

    Im not 100% sure, but i think it is a Conn naked lady.

  • @frasermanx it is a selmer SBA with selmer lig, florida link and rico reeds

  • @gjbsaxman94 you sure on the mouthpiece?

  • @Superdry1302 It's a Dukoff Hollywood (he says so in the full DVD) in "something like a 7" b/c apparently chris potter will play whatever he wants and sounds beast on it without regard to little details us sax mortals worry about such as tip openings

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  • What sax is he playing, model, make - doesnt look like Selmer. King? Great stuff !

  • Is there any didactic matherial from him ?

  • @fabriziocolonna73 transcribe this = didactic material

  • @AJOPDX have you got a transcription?

  • I love his sound and impeccable usage of the range. He inspires me every time I listen to him.

  • @2mitches yeap !

  • Again, tears it up.

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  • The Toby Flenderson of Sax! Freaking incomparable.

  • Is he playing on a Dukoff here? The white bite plate and 404 lig make me think so

  • 3:26 on.... WTFFFFFFFFFFFFFFFFFFFF

  • Who's this good? I mean, is he kidding?

  • I love Joshua Redman, but come on...Chris Potter is on another level.

  • I love Joshua Redman, but come on...Chris Potter is on another level.

  • Potter and redman were finalists in the 1991 monk competition.

    1st Joshua Redman

    2nd Eric Alexander

    3rd Chris Potter and tim warfield.

    What a competition to judge!!

  • @robbygreat lol how did the judges even decide who was better? they are all gods

  • will transcribe unless someone beat me too it???

  • The way Chris shifts time around is incredible. Every time you think he's flipped the beat around, he turns it around and keeps on playing like nothing's happened. Talk about tension and release

  • the "valedictorian" of modern saxophone playing!

  • I personally would love to see him and Redman play together. They are my two favorite living saxophonists :D

  • @Jazzsaxman1 i reckon chris would come out on top

  • @Superdry1302 Technique wis probably, but Redman puts SO much soul into every note, I think it would be awesome to see

  • Holy Balls!

  • does kenny G have a masterclass video..... i would burn it in a heartbeat..... chris is the best EVER!!!!!!

  • Talking about embouchure and whether we need to change it or adjust it as we play all over the horn...Well they don't come any better than Chris when it comes to playing. You can see the profile shots of Chris on this video...man his jaw is constantly moving forward and back and this guy plays all over the horn in big jumps and leaps. So many guys are out there saying you should never change your embouchure, I'm sure they just aren't aware of the fact that they do. I think it's necessary...

  • totally agree with you mate

  • Thanks man...

  • @buttheadgsxr1000 A lot of jazz players make large adjustments to embouchure while playing to make inflections. The idea of a stationary embouchure comes from classical playing. Playing classical I find I don't move my embouchure much if at all just because of the nature of the music.

  • I think you're right...

  • @buttheadgsxr1000 Typically a good embouchure doesn't move at all. Check out all kinds of classical saxophonists or some players like Greg Osby.. His face is stone solid when he plays. No movement. And he plays his ass off.

  • See that is what I find so confusing...and I agree with you, but then you see someone like Chris Potter play...and he does move his embouchure. I find I have to adjust mine from the top of the horn to the bottom. If I want the bottom to come out loud and strong I have to make a big change with reed pressure, amount of reed in my mouth, and wind pressure too.

  • @buttheadgsxr1000 Hey man, do what you want. Cuz I get tired of people who try to mold people to play like others. That is why this great music is being put into a museum. I mean, its good to pick up on what your influences do but you don't want to turn out playing just like them. and thats why Chris Potter is great cuz he is revisits the past but everything he puts out is pushing the music and really driving. KEEP PLAYING EVERYONE.

  • @Jazzman, Thanks for your input...and I tend to agree with you on that topic. The saxophone is a very expressive instrument. And regarding (what do you want?) Shit man, how did you know my birthday was coming up?...I could use a new box of reeds,'Vandoren JAZZ 2's would be nice...

    Take care man, and I'm just enjoying this topic of jazz and the saxophone.

  • Chris Potter Masterclass DVD's are in today! call to order Toll free: (888) 7676-SAX

  • 0:41 - "see if i can remember the head"

    lol, what a jerk. Awesome stuff, thanks for sharing

  • @kusanophone lol lot's of musicians do that especially sax players

  • @kusanophone now that's what I call self-effacing. A god of the saxophone pretending he might not remember the head. And then what he dies is play the head, but not, but yes, but wtf. Mans a complete genius. Makes me want to die, practise like a monothematic microbe or drink myself stupid.

  • gotta love chris potter

  • wow, this man is incredible! he is truly the most technically advanced saxophonist as of now!

  • WOW! I cant wait to own this. Thanks to RW for an incredible idea.

  • Thanks for the comment! This DVD will be available in the next month. You should be able to place pre-orders in the next week or so.

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