Added: 3 years ago
From: SpokenVerse
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  • Every day is like Sunday! Come, come nuclear bombs.

  • Marvellous poem very well read...

  • I have to apologise SpokenVerse, I used your reading for a uni project I had a day to do. I'll be happy to take it down if you wish.

  • With a few alterations to the products this poem now speaks of all market towns in post 1960's Britain.

  • I love Betjeman; sadly his England is dead: it died a long time ago.

  • Is that your voice? That is great! Are you a professional actor or something?

  • Yes, it's my voice - I read everything in this channel. No, I'm not a professional actor.

  • You could get a job in that, seriously. Thing's like reading people's statements in court, you would be great at that!

  • Wow, do you really think so?

  • Apply for it, give them some of these videos.

  • I was kidding. They couldn't possibly afford me.

  • lol

  • @SpokenVerse legend.

  • but the poem is not about a brent character. It's about big businessmen, the second part is about people like brent.

  • No you have the wrong end of the stick. It was Ricky Gervais as David Brent who criticised this poem (satirically, it's British humour). Betjamen was long dead before the David Brent character came into existence.

  • Nononono, i've betjeman and i've seen the office like a bazillion times. I understand your video perfectly. I just don't agree with your interpretation of what the poem is about, linked with you interpretationof the office. You showed a picture of brent during the lines: "And get that man with double chin... etc" And i emphatically disagree with that being 'about' (people like) Brent. Brent is not a big business mogul, with a cigar and stacks of imaginary money.

  • Brent, the character created by gervais is clearly NOT an evil or unsympathetic man. He doesn't "wash his repulsive skin/In women's tears" he's a lonely man, totally ignorant of his own shortcomings and sometimes he can be mistaken for being an arse, but deep down he just wants to be accepted. That's how gervais describes him, and not as "that man with double chin/Who'll always cheat and always win". I think the 7th to 9th verses are about people like(!) Brent, Finchy and Lee.

  • and i'm not saying that betjeman could see into the future and comment on the people of modern britain, but i do think, as in all great art, he captured the spirit of industrialisation, globalisation, the rise of instrumental technology and their deep, deep social or socio-economic impact. It's a disturbing process which he saw gathering steam throughout the 20th century, but i think he couldn't have foreseen what it's doing to the whole world.

  • I didn't say what the poem was about, did I?

    The reason for the picture of David Brent was merely because this poem appears on the cover of the DVD series of "The Office" Like Poetic Justice, y'know. Nothing more than a visual joke.

  • You have watched the David Brent skit on this poem, haven't you? I beginning to wonder if you understand the connection....

    It's at the top of Related Videos.

  • its the quote from the office when david brent is reading the poem...

  • the cabbages are coming now? he's the only cabbage round here.

    REAL HOT SALAMANDER

  • very nice, great poem

  • i dont want to leave the house anymore.the sight of modern britian depresses me.

  • Neat

  • he describes the hell hole of modern britian to perfection.

    come friendly hale bop comet and fall on this whole slave pen of misery

  • Perfect. Now its bogus Irish bars,Aussie bars, American bars as well as Tudor bars.

    Rather than be educated by Betjeman we've resigned ourselves, indeed embraced hell even more.

  • Excellent reading. Betjeman's my favourie poet.

  • I confess that I first heard this poem done by Ricky Gervais. His portrayal of a philistine par excellence is brillant.

    He gets the cocky ignorance of that type, their devotion to the practical that makes Betjeman's complaints seem like ranting. Now, when Betjeman wrote this, wasn't the class of person he was revulsed by really coming into their own? And when did he pass?

    The seventies, I believe. God, could he even write of the popular culture that's seized the reins now.

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