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Gaarageeksrule favorited a video
(2 days ago)
Thank You for all who leave great comments. I appreciate your comments. I'm glad to have made this video. Thank you for watching.
LYRICS:
L is for th...
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Thank You for all who leave great comments. I appreciate your comments. I'm glad to have made this video. Thank you for watching.
LYRICS:
L is for the way you look at me
O is for the only one I see
V is very, very extraordinary
E is even more than anyone that you adore can
Love is all that I can give to you
Love is more than just a game for two
Two in love can make it
Take my heart and please don't break it
Love was made for me and you
(trumpet instrumental)
L is for the way you look at me
O is for the only one I see
V is very, very extraordinary
E is even more than anyone that you adore can
Love is all that I can give to you
Love is more than just a game for two
Two in love can make it
Take my heart and please don't break it
Love was made for me and you
Love was made for me and you
Love was made for me and you
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Gaarageeksrule favorited a video
(3 weeks ago)
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Gaarageeksrule favorited a video
(1 month ago)
AICLE IS THE BEST!!!!!!!!!
emiru ;O;(LLLLLLLLLLL)
the pv is really Beauty ;_;!!!!
I LOVE Aicle!!
The pv is of the album Shinzou. ; Release :25/03/09 *-...
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AICLE IS THE BEST!!!!!!!!!
emiru ;O;(LLLLLLLLLLL)
the pv is really Beauty ;_;!!!!
I LOVE Aicle!!
The pv is of the album Shinzou. ; Release :25/03/09 *-*
Watch the pv in HQ (:
http://www.aicle-web.com :D!
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Gaarageeksrule favorited a video
(1 month ago)
GIUSEPPE MARIA JACCHINI (1670 - 1727)
Sonata for cello and basso continuo in A minor
1. Allegro
2. Adagio
3. Prestissimo
4. Adagio
Performed by members o...
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GIUSEPPE MARIA JACCHINI (1670 - 1727)
Sonata for cello and basso continuo in A minor
1. Allegro
2. Adagio
3. Prestissimo
4. Adagio
Performed by members of Amarilis
Ophélie Gaillard, cello
Violaine Cochard, harpsichord
*Giuseppe Maria Jacchini was an important composer in the development of music for the cello in the Baroque era. His composition teacher was Giacomo Antonio Perti and his cello teacher Domenico Gabrieli, and it was said that Jacchini was his star pupil. On October 31, 1689, he became a regular cellist of the orchestra at the church of San Petronio in Bologna. It is likely that he was sometimes hired as an extra cellist on some occasions before that.
He remained in that position for the rest of his life, except for a period from 1693 to 1701, during which the orchestra had been disbanded for financial reasons. He was made a member of the Accademia Filarmonica of Bologna on December 16, 1688. His interest in it was apparently musical only, for there were members who objected that he did not attend to the spiritual exercises and sacred functions of the organization. When his name was drawn to become its leader in 1709, he declined, saying he did not want such a dignified position. Thereafter, his name was excluded from the annual draw, although he was still allowed to enter his compositions in an annual competition for performance each year on the saint's feast day.
He gained fame as an excellent cellist and as a composer of string sonatas and sonatas for trumpet. At the time, the cello primarily had an accompanying function, usually doubling the bass line on organ or harpsichord. Jacchini's sonatas for string or trumpet are unusual in that they sometimes assign solo passages to the cello. Six of the ten concertos of his Opus four have cello obbligato parts. Furthermore, Jacchini wrote some of the first works for solo cello, which require a high level of virtuosity for the time.
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Gaarageeksrule favorited a video
(1 month ago)
FRANTIŠEK IGNÁC ANTONÍN TŮMA (1704-1774)
Trio sonata for two violins and basso continuo in A minor
1. Vivace
2. Largo
3. Allegro
Performed by Concerto I...
more
FRANTIŠEK IGNÁC ANTONÍN TŮMA (1704-1774)
Trio sonata for two violins and basso continuo in A minor
1. Vivace
2. Largo
3. Allegro
Performed by Concerto Italiano
Directed by Rinaldo Alessandrini
*František Ignác Antonín Tůma was an important Czech composer of the Baroque era. Born in Kostelec nad Orlici, Bohemia, he lived the greater part of his life in Vienna, first as director of music for Count Franz Ferdinand Kinsky, later filling a similar office for the widow of Emperor Karl VI. He was an important late-baroque composer, organist, gambist and theorbist.
Tůma received his early musical training from his father, parish organist at Kostelec, and probably studied at the Clementinum, an important Jesuit seminary in Prague. He likely sang as a tenor chorister under B.M. Černohorský (an important composer and organist) at the Minorite church of St James, and he is believed to have received musical instruction from him. Tůma then went to Vienna, where he was active as a church musician; according to Marpurg he became a vice-Kapellmeister at Vienna in 1722. Tůma's name first appears in Viennese records in April 1729, when the birth of a son was recorded.
In 1731 he became 'Compositor und Capellen-Meister' to Count Franz Ferdinand Kinsky, who was the High Chancellor of Bohemia. Kinsky's patronage made it possible for him to study counterpoint with J.J. Fux in Vienna. He participated in the premiere of Fux's opera "Constanza e Fortezza" along with Jiri Antonin Benda and Sylvius Leopold Weiss. In 1734, Kinsky recommended Tůma for the post of the Kapellmeister to Prague Cathedral, but his recommendation arrived too late and Tůma may have remained in Kinsky's service until the latter's death in 1741. In that year he was appointed Kapellmeister to the dowager empress, widow of Emperor Karl VI. On her death in 1750 Tůma received a pension.
For the next 18 years he remained in Vienna and was active as a composer and as a player on the bass viol and the theorbo; he was esteemed by the court and the nobility, and at least one work may have been commissioned from him by the Empress Maria Theresa. After the death of his wife in about 1768 Tůma lived at the Premonstratensian monastery of Geras (Lower Austria), but in his last illness he returned to Vienna and died in the convent of the Merciful Brethren at Leopoldstadt.
Tůma's music belongs stylistically to the late Baroque. His sacred works, which were known to Haydn and Mozart, were noted by his contemporaries for their solidity of texture and their sensitive treatment of the text as well as for their chromaticism. His instrumental music includes trio and quartet sonatas, sinfonias and partitas, mostly for strings and continuo; some of them were clearly intended for orchestral use.
Among his sacred works we find some 65 masses, 29 psalms and 5 settings of the Stabat Mater.
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That gives you no excuse...Just kidding.
There are other musical programs you can just look into when your still in middle/high school. It sucks you can't go. It would've been an awsome experience and even if you didn't make it, the feeling would've been great.
Happy Holidays!
zbar16
x3