And His Mother Called Him Bill (1967)
Personnel: Duke Ellington (piano); Russell Procope, Jimmy Hamilton (alto saxophone, clarinet); Johnny Hodges (alto saxophone); Paul Gonsalves (tenor saxophone); Harry Carney (baritone saxophone); Cat Anderson, Mercer Ellington, Herbie Jones, Cootie Williams (trumpet); Clark Terry (flugelhorn); John Sanders, Lawrence Brown, Buster Cooper, Chuck Connors (trombone); Aaron Bell, Jeff Castleman (bass); Steve Little, Sam Woodyard (drums).
I am completely captivated by the Strayhorn/Ellington narrative and by the 1967 CD And His Mother Called Him Bill. Every story has a beginning and a middle, and as many of us eventually figure out , there are no real endings. This CD is a living legacy of that reality. My appreciation for this body of work is inseparable from the love story it expresses.
Can you imagine being fortunate enough to meet someone in your lifetime that you connect with on a creative and soul level so profound that it is not a threat to, nor rivalled by any other kind of intimacy? From all that I have read by historians and biographers, and all myths aside, this is the essence of the relationship Duke Ellington and Billy Strayhorn shared and nurtured for 30 years. A bond beyond gender or sexuality, and even deeper than friendship. Yet, most of their famous compositions were collaborated on while apart and from completely different approaches, one being self taught liking contrast and discord, the other classically trained loving harmony and melody.
Strayhorn recalled the first time he watched the Duke in action: Something inside me changed when I saw Ellington on stage, like I hadn't been living until then. And later Ellington described Strayhorn as my right arm, my left arm, all the eyes in the back of my head, my brainwaves in his head, and his in mine. When Billy Strayhorn died in 1967 after a two year struggle with esophagus cancer, Ellington was so devastated that he did not get out of bed for weeks, and three months later he called his band into the studio to record this tribute album.
Hence, my inspiration to share. These are my first You Tube uploads, audio only and not perfect, but just lay back, close your eyes and drift.
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ever in amreica ive got to come and see you guys play
10/10
I love your clips of jazz...Your band sounds like Trane. Awesome work...when did you start playing? You kind of play like Elving Jones...very nice work.
Oh, the djembe techniques I use are original. taken from the fact that I'm a conguera who went to djembe...now I play conga and djembe.
Most djembe players play with the palm of the hand hitting the bass and...they hit the rim of the drum with their fingers. I use heel toe from my latin training
Thanks for watching my video...keep supporting female drummers