Basso9x13 - Harsch Sounds
Basso9x13's Channel
 
1-4 Herbie (Robert Harsch) - "Night Driving w/ Canon FS200" Basso9x13 - 112 views - 2 days ago
Night-time footage shot while driving, using hand-held Canon FS200 Camcorder.

Beginning with a left turn from N. 5th W., we travel down Main Street of Riverton, WY, making another left on Federal Blvd.
Two edits & eighteen wheels later, we go through the tunnels of the Wind River Canyon between Shoshoni & Thermopolis, WY.
Next, past the Cenex Oil Refinery in Laurel MT, which burns & melts into a convenience store back on Federal Blvd. in Riverton. ... When I start a 600-mile drive at 3am, I MUST have coffee!
The oil refinery clip had been taken a few days earlier at dusk, coming off I-90, on my way to get more coffee.

The Canon "MOD" files went through some extra processing for this video: first through Nero Vision to convert to MPEG-2 files, then through Windows Movie Maker for double-speed effect, coming out as WMV files. Then back to Nero Vision for assembly of original Canon MOD (spoken intro) and high-speed WMV files, plus special effects, text & transitions..

The music is "1-4 Herbie" - a little jam I threw together 1992-ish on my 88-key Korg T-1 Music Workstation [8-track sequencer, 16-note polyphony], mostly to play with the phasing effect. This was recorded from the stereo ouputs of the keyboard.
I started with the 4-bar Drum pattern, added a 4-bar Bass riff, then improvised the Piano & Sitar tracks in one pass each. I used a LOT of modulation & pitch bend expression on the Sitar patch, purposely trying NOT to have it sound like a sitar. At times it sounds like steel drums - fitting for the oil refinery.

The title was added later, as an homage to Herbie Hancock, a fabulous keyboard wizard who has influenced me on conscious and subconscious levels. I detect his influence in this little jam from "Chameleon" and "Earth Beat". It is fitting that this song accompany a drive down Riverton's Main Street, since - "Back In The Day" - one of the few 8-track cartridges I had to play while "dragging Main" in my hand-me-down 1969 Lincoln Continental was "Herbie Hancock's Greatest Hits" (Columbia). Yep. Skinny bespectacled white kid in Riverton, WY, rollin' down the street crankin' "Chameleon" from a '69 Continental.

An MP3 of "1-4 Herbie" is available from my SnoCap storefront at
http://www.MySpace.com/HarschS oundsMusic

~R
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Father's Day (Chris Smither) - Robert Harsch, piano/vocal Basso9x13 - 284 views - 1 month ago
A beautiful song from Chris Smither's absolutely wonderful 2006 album, "Leave The Light On".
I recommend that EVERYONE go out & buy this album (or download from your favorite online retailer); it really is great from start to finish, full of fine musicianship, clever humor and wonderful, poetic lyrics.

Because of distorted audio, I had planned to re-post my 1st version of "Father's Day" (which was just one shot of me at the piano, using the old film effect). On the way to doing that, I decided to add some family photos. The slide-show centers around my Dad, F. Adolph Harsch, with his parents Friedrich and Maria (Leno) Harsch, plus his siblings & other kin, my mother, my brother & sister and their spouses... ... and a dog or two.
Dad is the "last one out" - the youngest of seven children to survive infancy, still finding his way to birthday #87.

There's also a quick trip through my school photos. Apparently, once I got glasses I lost all control of my hair.
[Disclaimer: I will NOT be held responsible for any beverages snorted through nasal passages. ]
= = =
Robert Harsch - Vocal & Yamaha C3 Grand Piano; recorded in Blessed Trinity Catholic Community's worship space, using a Canon FS200 camcorder with built-in stereo microphone; XP Quality, Auto-Windscreen OFF.
Lexmark Photo Editor, Nero Vision 5, and Windows Movie Maker were all used to create the final video. Other than converting file formats, there was NO processing to the audio - no reverb, effects or EQ - just natural acoustic reflections (and murmuring font) from the church as caught by Canon FS200.
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Canon FS200 Test 1 Basso9x13 - 2,142 views - 1 month ago
The 1st out-of-the-box trial of a new Canon FS200 Digital Camcorder. I LOVE the camera! The software supplied for transferring/editing videos has so far been unusable, and my usual editor (Windows Movie Maker) does not recognize the MOD file (really, an MPEG-4) as written on the FS200's HDSC flash memory card.
SO, I took the card out & inserted it in my SC-card slot on my PC and pulled it in via Explorer. Nero Vision DOES recognize it, so I used it (1st time) to edit & add effects/titles just for fun, then exported it using High Quality settings. It rendered a 489MB file which took over 90 minutes to upload to YouTube!!
There are some artifact lines from interlaced scanning, especially in the living room. I will try different export settings next time & see if I get better results.
I think I prefer Movie Maker as an editor - easier to see who you clips overlap & adjust transition times. I find the Vision interface a little clumsy, but may just need to get used to it. It does offer some fun new transitions & visual effects, but there are many of each in Movie Maker that I miss in Nero.
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"The Seamist" 2008 (Flight of the Osprey) - Robert Harsch Basso9x13 - 1,216 views - 1 year ago
Original music & photographs by Robert Harsch.
http://www.MySpace.com/HarschS oundsMusic

MUSIC:
"The Seamist" (Flight of the Osprey) was originally recorded on a Korg T-1 synth/workstation in 1992. The introduction was used in an audio TourGuide program for yellowstone national Park. The full original version is on my 1996 CD "Montana Soundscapes".
In 2001 I "re-recorded" it via MIDI from the T-1 onto a Korg Triton. I then changed a few things, added about 2 minutes to the piece, and left open tracks to play "live".
In January 2008 I re-visited the piece, recorded some of those "live" tracks and added some new parts. Most of the sounds come from the Triton, but the "pad" (intro & transitions) is doubled by a combination stack from a Korg NS5R Module.

PHOTOS:
I took all the photos (except the cover of my CD, "Montana Soundscapes" which was taken by Michael Patterson) in various locations including Glacier National Park (esp. Lake McDonald, Ptarmigan & Swiftcurrent Trails), Morrell Falls, & The Mission Mountains in Montana, and The Grand Tetons & Hot Springs State Park (Thermopolis) in Wyoming.
The photos were taken with a Pentax IQ-160 35mm camera w/ telephoto zoom (most from 1999-2002) and reproduced here from the various CD-ROMs & Floppy Discs I had made when the film was developed.

SLIDE-SHOW:
I assembled the slide show with Nero PhotoShow, but low RAM on my computer & the program's lack of a sync-able time-code make it tough to get transitions to sync with music consistently. There are a few transitions that should fit better with the music.
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"The Seamist 2008", my whole "Montana Soundscapes" album from 1996 ("Seamist '08" is included as a Bonus Track), and other tunes are available from my online store for Harsch Sounds Music thru Snocap:

http://www.MySpace.com/HarschS oundsMusic

Tell your Friends!
:)
~ R
(:

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"Respect The Spirit" - Robert Harsch Basso9x13 - 401 views - 9 months ago
For )))STEREO((( and High Quality (recommended):
http://www.youtube.com/watch?v =Usyl3j7TbXM&fmt=18

Music composed & performed by Robert Harsch from the 1996 CD "Montana Soundscapes". This piece was sequenced using the 8-track Workstation on a Korg T-1 88-key weighted-action synthesizer.

Originally written for the T.I.S. Audio TourGuide for The Little Bighorn Battlefield National Monument, this is really a series of short underscore and transition cues linked together. Sharp-eared listeners will notice variations on "Garryowen" - an Irish drinking song that was the Regimental theme song for General George Armstrong Custer's 7th Cavalry - as well as the bugle call "To The Colors".

The photos were taken along Beartooth Pass at the Montana/Wyoming Border, Sunlight Basin in NW Wyoming, and memorials for Crazy Horse (Thašuŋka Witko) in the Black Hills (Pahá Sápa) of South Dakota, and Sitting Bull (Tȟatȟaŋka Iyotȟaŋka or Tatanka Iyotake) near the Missouri River in central South Dakota.

MP3 files of "Respect The Spirit" and the rest of "Montana Soundscapes" are available from my SnoCap Online Store:
http://www.MySpace.com/HarschS oundsMusic
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"Peji S'la (Selena)" - Robert Harsch Basso9x13 - 862 views - 10 months ago
Original Music & Photographs by Robert Harsch
For )))STEREO((( sound (and High Quality video), use this link:
http://www.youtube.com/watch?v =Rt2FuXMvAX8&fmt=18

Originally titled "Selena," this simple melody was written in 1988 as a birthday present for a very dear friend of that name. The initial instrumentation was to be flügelhorn and piano (left hand only) with the thought that I'd play them both at the same time.

In 1992 I re-worked it into this version - melody on wooden flutes (Shakuhaci & Pan Flute patches), the original piano arpeggio on harp - which was used for the T.I.S. Audio TourGuide for the Little Bighorn Battlefield National Monument. The name "Peji S'la" [peh-zhee shlah] means "Greasy Grass" in the Lakota language and was what they called the area where the battle took place.
A slightly different version, "Brave Against the Sun," was recorded for the Alabama Shakespeare Festival production of "The Grapes of Wrath" in 2003.

The music was sequenced on eight tracks with a Korg T-1 Music Workstation. To record for the "Montana Soundscapes" CD (1996), a Korg T-3 was used for "MIDI Overflow". Additionally, for this slide-show, I lengthened the opening drone by about 8 seconds, and reversed the stereo channels - just so the transition effect at 0:53-:57 would carry the shattered pieces in the same direction as the panning of the pizzicato string riff at that point.

The mp3s of "Peji S'la (Selena)," "The Seamist: Flight of the Osprey" and the rest of "Montana Soundscapes" are available from my SnoCap online store at:
http://www.myspace.com/harschs oundsmusic

I also have a few copies of the CD left, taht could be mailed. If you're interested, send me a PM.
The photos were taken with a Pentax IQ-160 356mm Camera and a single-use 35mm camera, 1999-2004. Locations include Glacier National Park (Avalanche Creek, moon), Jewel Basin (mountain goats, Flathead Lake sunset) & Kootenai Creek Trail (canyon shadows) in Montana; Devil's Tower (aka "Bear's Lodge" or "Bear's Tower" - "Mato Tipila" in Lakota) and (near) the Wind River Canyon (hawks) in Wyoming; MacIntosh County, North Dakota (prairie tree) and northwest Nebraska (lake sunset at the end).

The slide-show was created with Windows MovieMaker; audio editing with Nero WAV Editor & Cakewalk Sonar.

~ Robert Harsch ~ Basso9x13
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Blue Valentines (Tom Waits) - Robert Harsch, keys & vocal Basso9x13 - 1,081 views - 2 months ago
Up late after a rare night out, listening to music in bars... nothing like this bluesy rubato number from Tom Waits' 1978 album, "Blue Valentine"... but I was inspired, anyway.
Besides, I'd spent a few days experimenting with lighting, and if I didn't record this soon, the watered-down diet root beer in the rum bottle & rocks glass would start to grow things.
So here is a one-pass "live" to video recording of Tom Waits' "Blue Valentines"....
... plus a bit of Rodgers & Hart for good measure.

A note on lyrics: I got mine from Amsco Publications' "Tom Waits Anthology" (1988), and hadn't heard the original recording in years (got a cassette tape in a box somewhere). There are two notable differences in verse 2: Tom sings, "And it's the ghost of your memory - Baby, it's the thistle in the kiss..." and, "It's the tattooed broken promise I gotta hide beneath my sleeve."
There are other lyric discrepancies in this book. I think it was edited by Lady Mondagreen.
("Skew Smee while I kiss this guy.")

The props in the tableau:
* Face/hand Mask Sculpture - 1-piece carved wood from Korea, which I bought from a German woman in Missoula, MT.
* Seiberling Safety-Tire promotional ash tray, vintage 1950s or '60s.
* Djarum Black clove cigarettes from Indonesia. I do not smoke these (and don't recommend it to anyone); I just wanted a sleek, sexy-looking cigarette burning in the ash tray with a lonely wisp of smoke floating up out of frame, and clove cigarettes stink slightly less than the regular ones. Of course, the cigarette stopped burning just as I started this take, so I didn't get that wispy smoke element.
* Greyhound lighter cover I found by chance at a gas station in Lusk, Wyoming.
* Sailor Jerry's Spiced Rum bottle featuring the tattoo art of Sailor Jerry; borrowed this & rocks glass from my neighbor, added fake "booze". The song refers to tattoos & whiskey, so I figured a rum bottle with tattoos was close enough.
* Tiny Guitar carved from wood from The Joint Effort in Missoula.
* The glass bottle contains sand from a Mandala created by Tibetan Buddhist Monks in Montgomery, Alabama.
* Pretty scented candle that reminds me of Jupiter - adds some light & shadow-play and helps counter-act the cigarette odor.
* The star of the show is the fiber-optic nightlight behind the mask, which I got a yard sale for $1.50. It's held up by a C-clamp balanced on a small stone jewelry box.

~Robert Harsch

Korg T1 88-key (weighted action) Music Workstation; Program A-15: Vibraphone
Yamaha AW16G used as a mixer/processor, recording straight to cheap web-cam software, c. 4 frames per second.
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Les Misérables: Confrontation - Robert Harsch & JD Justice Basso9x13 - 308 views - 6 months ago
)))STEREO((( - http://www.youtube.com/watch?v =uDtme1kA0JE&fmt=18

"The Confrontation" from "Les Misérables" with Robert Harsch (Basso9x13) as Javert and James D. Justice II (jdjustice72) as Jean Valjean.

The music tracks were recorded on the 8-track Sequencer on Robert's Korg T-1 Music Workstation, around 1993 or '94. In July 2008, I asked JD if he was interested in trying a long-distance duet collaboration. Turns out the biggest difficulty was not JD being in North Carolina & me in Montana, but rather that he's a Mac & I'm a PC.
I re-worked my arrangement a bit, using my Korg Triton for some new sounds, then sent JD WAV files of the music & my vocal track & a video file of my vocal recording session. JD added his vocal & sent me back a mixed audio track and a video of his recording session. Then I tried a few different methods of assembly, finally downloading freeware conversion software, making 2 different conversions of JD's video (one lost sync when I was almost done editing) and putting it all together in Windows Movie Maker (which always seems to be more difficult & frustrating than it should be).

Music by Claude-Michel Schönberg
Lyrics by Alain Boublil & Herbert Kretzmer
Based on the Novel by Victor Hugo
(The video credits read "Clàude-Michel" because I mistook a speck on my CD booklet for an accent.)

More from JD on his YT channel: jdjustice72 and http://jdjustice.net
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"The Outdoor Type" - Robert Harsch (Lemonheads cover) Basso9x13 - 1,444 views - 7 months ago
)))STEREO((( & High-quality video: http://www.youtube.com/watch?v =-dvvJEJuLiE&fmt=18
"The Outdoor Type" performed by Robert Harsch - vocal and 5-string fretless bass guitar.
"The Outdoor Type" was written by Australian musician Tom Morgan and originally recorded by his band, Smudge, as the title track of their 1993 album. American Evan Dando & his band The Lemonheads released a version in 1996 on the album "Car Button Cloth".

My bass is a Michael Kelly "Dragonfly" 5-string fretless acoustic bass guitar strung with Rotosound TruBass nylon-coated flatwound strings, tuned E-A-D-G-C. It's run through a Line6 Bass POD XT-Live pedal on the Variax Acoustic Upright patch, with Chorus Modulation.
Microphone is a Sennheiser 825s vocal mic.
Mixer is a Yamaha AW16G Digital recording console, but recording was done direct to the WMV-file audio track with $30 Camera/Software from Creative Labs LiveCam.
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"The Last Rains/Dusty Dawn" - R. Harsch; J.M. Harsch Basso9x13 - 1,506 views - 1 year ago
Music by Robert Harsch. Artwork by Janna M. Harsch.

http://www.noyesartgallery.com /archive_JHarsch.htm

The above link is to my sister-in-law, Janna's archive page on the Noyes Art Gallery website. Click there for more information on media used, purchase options and more fine art by Janna & her gallery associates.

= = = = =
JANNA M. HARSCH - ARTIST'S STATEMENT
I have been drawing (most often horses!) as long as I can remember. Early works included drawing a saddle and bridle on anything with four legs - from moose to hippo! - pictured in a set of animal encyclopedias. I eventually did progress on, getting a B.F.A. in Studio Art from Concordia College (now Concordia University) in Seward Nebraska. I have worked in human services since college, but I returned to working on art in 1993. I joined Noyes Gallery in 1995. I have a studio above the gallery.
I continue to be horse-obsessed. Horses are the form I know best as I explore a variety of techniques and style in creating art. I try to capture some of their motion, grace and power in my compositions. Being able to keep learning, growing, changing and moving ahead is an important part of life for me. Horses are all about movement and are a great image to use to express a dynamic, moving feeling. I hope that each viewer's eye moves around in each piece as they look at my work.
Most of my work is in acrylics and mixed media. I also enjoy creating 'wearable art' in the form of ribbon-wrapped horse and cat pins.

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The music was written for a 2003 Alabama Shakespeare Festival production of "The Grapes of Wrath," directed by Aaron Cabell. "The Last Rains" opened the play and underscored the prologue. "Dusty Dawn" segued into the scene where Tom Joad meets up with Rev. Casy.
"The Last Rains" was recorded using a Korg NS5R Synth Module for the dulcimer and a Korg Triton-Pro for the harmonica, guitar & bass. "Dusty Dawn" was played on a Kaman Applause AA-40 Acoustic 4-string bass guitar (short scale) with a Dean Markley soundhole pickup; roundwound strings, either phosphor-bronze or coated Elixirs; low string dropped to "D".
A STEREO MP3 of "The Last Rains/Dusty Dawn" is available (along with many others) from my Harsch Sounds Online Store:

http://www.MySpace.com/HarschS oundsMusic

ENJOY!
~R

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"A House-Mix Divided" - Robert Harsch & Diana Campanella Basso9x13 - 1,208 views - 1 year ago
FULL SCREEN viewing recommended!
Artwork & Text by Diana "artemisbell" Campanella.
Music loop mix and video by Robert "Basso9x13" Harsch.

= = = =
ART: The artwork and text quotes are by Diana Campanella, known to YouTubers around the world as "artemisbell". She's a fantastic artist, a FUN! dancer, and all-around terrific person. See more of her art here:
http://www.dianacampanella.com /
...and here:
http://www.allthewalls.net
Watch her dance here:
http://www.youtube.com/artemis bell
...and partake of her cosmic wisdom here:
http://www.universelings.com

= = = =
TEXT:
- Hollowbreath -
"From the Hollow of nonexistence and potentiality,
the Breath of creation fulfills your every great thought." - DC

- A Holy Scripture -
Scriptures come in all forms.
Be open to the form that speaks to you.

- Chatter II -
"Since consciousness goes beyond the conventional description of what appears to be reality,
we must seek to find the depths of our true identities." - DC

= = = =
MUSIC: "A House-Mix Divided" was created with Sonic Foundry's "ACID-DJ" Looping Software. This was the 8-track "demo" version supplied on a CD-ROM with my brand new sound card in Summer 2000. You can download their current "ACID XPress" here:
http://www.acidplanet.com/tool s/?p=acid

"A House-Mix Divided" is available (in STEREO!) from my Harsch Sounds Music Store ala Snocap. Check it out on the official Harsch Sounds MySpace page:
http://www.myspace.com/harschs oundsmusic

= = = =
VIDEO: Created using Nero PhotoShow v5.0.
= = = =

ENJOY!
~R

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Basso9x13  
Profile
 
Name:
Robert
Channel Views:
3,872
Style:
Miscellaneous
Joined:
March 28, 2007
Videos Watched:
6,510
Subscribers:
77
Musician, Composer & Sound Designer Robert Harsch
About Me: I write & perform an eclectic variety of music, from New Age to Jazz to Techno, with a special love for Progressive Rock & Jazz Standards.
= = = = = = =
I'm currently playing keys & singing back-up for a band tentatively called "Second Gunman".
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Keyboard synthesizer is my primary instrument (Korg Triton Pro76, Korg T-1 & Roland Juno-D), followed by electric & acoustic piano & other keyboard instruments.
If not keys, I'm apt to be on bass guitar, most often playing a Michael Kelly Dragonfly Acoustic 5-string Fretless strung E-A-D-G-C ("The Outdoor Type" & "Ian Anderson Vid Vote 1"). 2nd bass is an Epiphone El Capitan Acoustic 5-string Fretless: B-E-A-D-G. 3rd bass - Applause AA-40 Acoustic short-scale, either in standard E-A-D-G tuning or "Drop-D": D-A-D-G ("Goodbye Blue Sky" & "Dusty Dawn"). Last is my Rogue 406-Pro 6-string Electric: B-E-A-D-G-C, which probably doesn't get played as often as it should.
I also sing somewhere in the Baritone neighborhood.

For the time being, I work for Blessed Trinity Catholic Community as Associate Music Director - usually playing bass at services, but sometimes piano, and on special occasions, synthesizer or even flugelhorn. However, my hours are being reduced so far as too effectively eliminate my job, so I'll be looking for more freelance work in future.

I've worked as a theatrical Sound Designer-Engineer for UM's MT Repertory Theater, Missoula Children's/Community Theatre, and The Alabama Shakespeare Festival, among others, and have composed music for several productions, including "The Grapes of Wrath", "The Gift of the Magi," and "Dial 'M' for Murder".

I also serve as Vice President of Local 498 of the American Federation of Musicians of the US & Canada, and as the Local's delegate to the Missoula Area Central Labor Council.

Other interests include greyhounds (especially retired racers) and outdoor photography. My videos "The Seamist 2008: Flight of the Osprey", "Respect The Spirit" and "Peji S'la (Selena)" and "Goodbye Blue Sky" feature photos I took around "my backyard" of Montana, Wyoming & the Dakotas, as well as Hawaii & Washington, DC. I also took most of the pics in the "Auld Lang Reggae with Greys" videos.
The background image on my page is a photo I took of the Clark Fork River in Missoula at sunset, flipped and repeated into 4 quadrants - then I had to monkey with the resolution to get it under YT's meager 256k file-size limit. the original photo appears in my "Goodbye Blue Sky" slide-show.

MP3s of my original music may be purchased thru my SnoCap Online store on my MySpace page (links below, but be aware that some ad-blocking software keeps the storefront from displaying properly). I also have a limited supply of CDs my 1996 album "Montana Soundscapes" - if you're interested in having a CD mailed to you, send me a note.
Formation Date:
January 01, 1992
Record Label:
Harsch Sounds
Label Type:
Independent
Band Members:
Robert Harsch - keyboards, 5-string fretless acoustic/electric bass guitar, vocals, production
Influences:
Duke Ellington, Carl Stalling, Hoagy Carmichael, Emerson, Lake & Palmer, Yes, Pink Floyd, Chuck Mangione, Herbie Hancock, Bela Fleck & the Flecktones, Nat King Cole, Kitaro, Andreas Vollenweider, Chip Davis & Mannheim Steamroller, many more...
Sounds Like:
Music I've written & bands I've been in have evoked comparisons to Kitaro, Yanni, George Winston, Carl Stalling, Dire Straits, The Doors, Steely Dan, and C.C.R.
Hometown:
Riverton, WY
Country:
United States
Occupation:
Musician
Companies:
Harsch Sounds
Schools:
The Recording Workshop; Central Wyoming College; University of Montana
Hobbies:
Retired Greyhounds
Albums:
Recent Activity  
Basso9x13 rated a video: (2 hours ago)
VILLAGE PEOPLE!!! Improvisational, spontaneous, informal, interpretive, freestyle dancing.
 
 
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Eighteen is one of the very first songs Tim and I recorded together...sorry, no video for that reason. I compiled a video slide show using picture...   more
 
 
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album Exciter (2001), music video was directed by Stephane Sednaoui. The car in the video is Lincoln Continental. One of the special parts of the v...   more
 
 
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Music video by Willie Nelson performing You Don't Know Me
with Danny Clinch [Video Director], Lindha Narvaez [Video Producer]
(C) 2005 UMG Recordings...   more
 
Channel Comments (61)
thisismybassface (1 day ago)
Hey man!

Thanks for the comments!  I really like your version of goodbye blue sky. A bass favorite!

Cool acoustic bass, too.

See you later!
soulsistah100 (1 week ago)
Thank you!
diane189444 (3 weeks ago)
Robert thank you for sending me the video Fathers Day was awesome ....sending a big Hug
ranjamusic (1 month ago)
Great videos you have here. I have just subscribed to your channel, and added you as a friend; Thanks for the add; Your videos are very good; add your YouTube videos to Mstardom . com / videos; see step by step directions here: Mstardom . com / taketour
Your YouTube videos will show up on Mstardom . com / videos, Your profile, and the Mstardom home page
like this video mstardom . com / videos/id_796/
TERUKO5 (1 month ago)
Thank you for your wonderful comment!!! It's 1:30 in the morning here but I'll be going to sleep with a big smile...
soulsistah100 (1 month ago)
Hello. Thanks so much for your comment. I'm glad you liked the music. All the best to you.
TERUKO5 (3 months ago)
Hey Robert, just stopped in to say hope you have a great weekend!
maryandmartin1 (6 months ago)
thank you we really appreciate it
urbania70 (6 months ago)
Thanx for the sub!
BloodyLilacs (6 months ago)
Thanks for being our friend!

Dani
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